Weekapedia – Weeknotes 7
I’ve been feeling quite a bit brighter this week, which is a relief. On the recommendation of my father-in-law I asked the doctor for an anti-spasmodic to help settle my stomach before it really starts to give me grief. Just having these tablets seems to have calmed me, so much so that I don’t need to take them. Which I guess is a bit like a placebo, but not. Anyway, I’m glad to be feeling better.
This week has been my penultimate week before I start work at Skills Matter. They are a lovely, ethical company run by lovely ethical people, and the work I’m going to be doing is going to be very interesting. So if I have to work at all, I’m very pleased I’m going to be working there. But I have thoroughly enjoyed this time off, and it would be wonderful not to have to work at all. I’d never be bored, I’m sure of that. I’d always be busy, and I’d always be happy.
That said, a week tomorrow (as I type) I’ll dive into life at Skills Matter and I’ll have a great time. I was pleased to find out that I can get the train at Streatham station, ten minute’s walk away and go directly to Farringdon, ten minute’s walk from Skills Matter. The train journey is 30 minutes each way. I had got it into my head that it was going to take longer, and it was bothering me. I haven’t had to commute for getting on for twenty years, so I’m thinking of it as a huge time-sink. I need to work out how I can make the most of my journey – if I can use that time productively, it won’t be so bad. I suppose it all depends on how busy the trains will be. If I can get a seat regularly, then I can write. If not, then I’ll have to think of something else. I toyed with doing my bike up and cycling and/or getting a scooter and riding, and I still haven’t ruled those possibilities out yet. But for the first couple of months, it makes sense to do things as simply as possible. So I need to get myself an Oyster card this coming week.
I decided I need to freshen up my wardrobe a bit for the new job. I bought myself a couple of new pairs of trousers yesterday. Next on my shopping list – Cherry Red Docs, which I’m sure I’ll still be breaking in in a year’s time. New socks. And an electric shaver. And a few new shirts. And an iPad, just in case I can get a seat – I mean you’ve got to be prepared, haven’t you.
I was going to write why we went to Hyde Park for the TUC rally, then realised it needs a blog post of it’s own.
Arlo moved into his cot this week – I’m not going to tempt fate by saying he’s taken to it like a duck to water, because he hasn’t. But he seems a little bit more comfortable with it every day. He cried when I dunked his head underwater – four times – at Little Dippers, the only one of the babies that did.
I’m reading London Calling by Barry Miles. Enjoying it. I’m walking around Soho now thinking, ‘ah, that’s where the Colony Rooms were’, so that’s the pub that used to be The Highlander’.
Today’s New Favourite Best Song Ever
The summer of my O Level results, we went with Huddersfield Rucksack Club to the South of France. I was big into The Who back then, but I’d safely passed through my NWBHM tunnel vision phase and I was open to other things. Among our number were the Leadbeater Twins, who were quiffed up Elvis-style, and Jommy, aka Jonathan Hubbard, who was big into Rockabilly. (Jommy explained the relationship of the various -abillys: Gene Vincent and Carl Perkins were Rockabilly. The Stray Cats were Punkabilly. The Cramps were Psychabilly. And King Kurt were Sillybilly. Jommy passed through all of these in his teen years).
One evening we went to a funfair in Bayonne, and as we stood beside the dodgems, the DJ played the Stray Cats’ version of You Can’t Hurry Love. Then, as now, it sounds magnificent, and while The Supremes version is undoubtedly the greatest of all, this is still great fun and worth a listen:
Week In The Presence Of Beauty – Weeknotes 6
I keep running behind on these weeknotes. A quick catch up from the week before last:
Little Dippers. I dipped the poor lad under water. We hasn’t best pleased. The serious look on the babies’ faces when they are in the water is amazing. They really want to do it right. Back home still with a dash of IBS, so I sat and watched Bowfinger with Arlo on my knee. I love films about the making of things, and this story of making -a-movie-by-stealth is great fun. (I know a few people who don’t like it, but frankly they are the same people who laid me off, so I should have known their judgement was suspect way back then!) I love that their in-film titles are Chubby Rain and Fake Purse Ninjas.
The rest of the week is a bit of a blur. I started to feel a bit better, which is obviously good. I spent time on The Ephemerals’s album, Love Songs From The Feral Park round at Mike’s to have a final listen to the unmastered songs on his two high-end sound systems. We decided that any re-mixing I might have had in mind probably wasn’t going to make much difference, so we drew a line under them. Which is a brave thing to do when you’re a decision-wuss like myself. I put a website together while we listening – http://www.theepemerals.com. It’s a mess at the moment but I’ve got plans for it. Mike’s working on the album cover based on Pete Ashton’s TTV photos. And I’ve arranged for the album to be mastered by Carl Saff in the States. He came recommended by Leon Dufficy from Still Corners and Hush Arbors. Carl can’t do it for a few weeks, but I think it’s worth the wait.
I finished reading Lonely Avenue: The Unlikely Life and Times of Doc Pomus by Alex Halberstadt. You’ll know half a dozen songs co-written by Doc Pomus, even if you don’t know you know them. Save the Last Dance for Me, Can’t Get Used To Losing You, Teenager in Love, Suspicion (the Elvis song), Marie’s the Name (Of His Latest Flame), Ray Charles’ Lonely Avenue. He wrote the song that starts Bowfinger, There’s Always One More Time by Johnny Adams. He was a Brill Building stalwart, writing predominantly with Mort Shuman (who went to Paris and helped Jacques Brel reach an international audience). He suffered polio as a child, and always had trouble walking – Save the Last Dance for Me is a message for his wife, from a man who wasn’t able to dance. It’s a great song made all the more tragic when you know the backstory. He reinvented himself as a Blues Singer, playing the black circuit around New York and New Jersey. For a while he played a mixed venue in the Lower East Side, put on by Billy Crystal’s dad, Jack, who put his hand into his own pocket to make sure the musicians got the pay they deserved, money Jack couldn’t afford at the time. Anyway, the book is heartily recommended – well-written, informative, uplifting, tragic.
Garden Showing Signs Of Life
That Was The Week That Was – Weeknotes 5
This was a lovely big week, spoilt only slightly by the fact I was a bit under the weather for most of it. I had two long drives with my IBS playing up, which wasn’t wasn’t pleasant.
The week started well with a nice cup of tea with Russell Davies, the One-Man Creative Perpetual Motion Machine. Sunday’s a blank – I can’t for the life in me remember what I did. Monday was mad – up early to get my stuff ready and then off to Little Dippers. The Little Tyke got his head dipped under water for the first time – very traumatic. I didn’t enjoy watching that. He hated it at first, then got used to it. Apparently, if you do it before the age of one, the reflex to not breathe underwater is innate, whereas after one they need to relearn the instinct. Something like that. Back from Little Dippers with a Streetcar, we packed and set off on our road trip, Glasgow, Bradford, possibly Newcastle and then back home.
It was the most glorious day for driving, with traffic really thin and a sun that made everything look like a movie set. We stopped twice – the second time at the Tebay/Westmoreland services in Cumbria, which is run by a family rather than a corporation and incorporates a farmshop. The baby care facilities are better than any others I’ve come across, which is a *huge* plus to us these days. I had chicken curry – as fine a meal as I’ve had at a service station. There’s no fast food, which I’m sure counts against them with regard number of customers, but it certainly made the place that little bit pleasanter to be. We’ll call there ever time we drive to Scotland from now on – in fact, we called in on the equivalent Southbound services on the way back. And I had chicken curry again!
Dossed in my in-laws’ house on Tuesday while Fi, Arlo and Maris headed into town. I’ve been trying to write a spec piece for Word magazine about Shel Silverstein, the songwriter, so I nipped at that a little. Someday I’ll finish it, but I must say I’d be lost if I had to work to a deadline.
Wednesday we visited friends John, Heth and their son, whose name I struggle to spell. Ruaraidh, I think it is. Whenever I drive around the Southside of Glasgow, it reaffirms the thought that I could happily live there. Ruaraidh has just turned one, so we were looking at him as a cypher for all the changes Arlo’s going to go through in the next 8 months or so. If Arlo grows up a tenth as lovely as Ruaraidh, we’ll consider ourselves very lucky indeed.
Thursday we hit the West End of Glasgow – always a pleasure. Had coffee and cake in The Tinderbox on Byers Road – just opposite us was the drummer from Franz Ferdinand, with his two young sons. He was asking after you!
Friday we drove down to Bradford in time to catch my niece Erin doing her Gymnastics training. She’s coming up to 14, and can spring and tumble like you see on the Olympics. I’m amazed. They have a pit at the end of the runway filled with foam rubber, so they can land somewhere soft. It looked great fun.
Saturday was a funny one. Fi, Arlo and I took my nephew Charlie and my sister Karen to Maker Faire in Newcastle. It’s the first time I’ve seen my O’Reilly executioners since they chopped me off the payroll, and I was a little worried about it to say the least. But Maker Faire is a fantastic event, and just because me and them have a bit of history doesn’t make the event less fantastic, nor does it negate my right to go. I knew Charlie would love it – he’s 12, so was a cert for wanting to see fire-breathing dragon robots. So we went, and it didn’t take long before I met my former colleagues and it was perfectly civil, if a little distant, as you would expect. It did me good. I told them about my new job.
Maker Faire itself gets stronger and stronger. Last year the big thing was Arduinos, this time it was 3D printing. I met lots of friends, such as Rain Ashford, Adrian Mcewan, Andy Godwin and Tom Scott, as well as the guys from GetItMade, with whom I’ve corresponded but not met. Lovely to meet them.
Sunday I went to watch Charlie play hockey. He’s been called up to play in his age group for West Yorkshire, which I’m thrilled about. Last weekend he was playing for Bradford, and there was a ghosts of touchlines future about it for me. Best overheard line – as a young kid took a corner, his dad yelled “Nothing clever, Matthew.”
Finished the weekend off with lunch with my dad and Merle and Karen’s clan. Wonderful.
Today’s New Favourite Best Song Ever
Twenty-five years ago or more, Gerard O’Hara played me Be-Bop Deluxe‘s Axe Victim while we were travelling around West Yorkshire with our Day Rover travelcards. We were both signing on and Friday’s after our cheques came through we’d meet in town and head off to Halifax, Bradford, Leeds, Shipley, Ilkley, Dewsbury, Batley. This might not sound so exciting or adventurous, but it was – these were biggish day trips back then, when we had little money and our lunch was a couple of pitta bread stuffed with ham and cheese, bought cheap.
One of the places we visited was Wakefield, which I didn’t know at the time was Bill Nelson and Be-bop Deluxe’s home town. And Adventures In A Yorkshire Landscape is Gerard and me on those trains and buses, laughing a lot and trying to make the most of what little we had, which looking back was a lot!
Today’s New Favourite Best Song Ever
Sometimes, the phrase ‘It’s like Punk never happened’ can be a good thing, sometimes a bad. One of the things that we lost due to Punk is glorious soft rock like Dreams by Fleetwood Mac. This is a great piece of pop music:
Goodbye Office, Hello Little Dippers – Weeknotes 4
(Late notes from the week before last)
I keep thinking I’m not getting through any of the stuff I want to get done, but one of the jobs that has come up is the renovation of the office into a family room, and it’s progressing nicely. Chris Aldridge, the carpenter, has done a fine job. He’s built us a superb DVD-CD-VHS shelf unit with a great futuristic desk with lovely curves which, as well as looking good, should be a bit headbutt-forgiving for when Arlo gets a bit bigger. I’m very pleased with it, and even Fi doesn’t hate it, which is a big relief. And Chris has built a piano keyboard tray for me, so it’s always there for when I want to make music. I need to spend an afternoon swapping music software from my iMac to my Macbook Pro, and then my home studio is ready to be used.
Out from the office go three bookcases, 3 CD racks and my leather-top desk, furniture we’ve had for a good few years. And in their place will go Arlo’s activity mat and flip-top school desk from Allyson’s school. We plan to strip out the fireplace and gain a few inches of space, and above it we’re going to put a flatscreen telly, and once that’s done, we’ll get a new carpet, which will be luxury, (I love carpet). The playroom window is nice and big, and it’s wonderful to be able to see it properly. It’s going to be a lovely room when it’s done.
Monday was the first Little Dippers, which was held in a former carpet warehouse in Tooting Bec. I was the only bloke there, which was intimidating, but it did mean I got a changing room all to myself. (By ‘me’ I mean ‘we’ obviously). Everyone was lovely, and Arlo seemed to enjoy it, except when we poured water over his head. He didn’t care for that. The idea of Little Dippers is to get them used to water, to feel comfortable and confident in water, and even if they can’t swim, then to get them to understand that should they ever be in open water without supervision, if they lie back and relax, they will bob to the surface and survive.
Friday, Mike and I bobbed to Peckham Rye to pick up a drawing Lyndon Hayes had done of Arlo. (If you want a drawing of your baby done, he’s your man. Reasonable rates). We spent about three hours in the pub with Arlo only playing up a bit (he’d had his jabs that morning, so it was forgivable). I had three delicious pints of Murphys.
Today’s New Favourite Best Song Ever
Martha, by Mary Hopkins, produced by one Tony Visconti:
Can We Stop The Season Now, Please…
Record of the Day Interview
I’ve been interviewed by Record of the Day about Ignite Music:
Hastings, Peckham and Streatham – Weeknotes 3
From April on, I’m going to be working for Skills Matter, out in Clerkenwell, as a Community Manager. Which means I no longer need a home office. Which means we can convert the 2nd downstairs room into a family room. It is a warm, light room with a garden-facing window and a radiator that keeps the place snug, so it will be a great room to hang out.
At present, the room works very hard to free up the rest of the house. It houses all our CDs, DVDs, videos, my four guitars, a 3-seat sofa, the high-backed armchair that matches the chaise longue, all our paperwork and stationery, umpteen year’s worth of print photos, paper back-ups of all my writing, the printer, the old iMac, all our electronic gear, the telephone and wireless router, our back-up software, the lad’s toys, three shelves’ worth of O’Reilly samples accumulated over the years, the shredder, a dozen years’ worth of receipts and all manner of crap we should have chucked out years ago. And it’s the room we spend most time in, so it generally has two deck chairs taking up the middle of the floor.
Our carpenter Chris Aldridge, who has built us bookcases, wardrobes, and who fixed the fence for us the year before last, which in itself was the catalyst for the great garden revival, fitted us a floor-to-ceiling shelf unit in the alcove by the window on Tuesday, and measured up for more shelving and a desk for the opposite alcove. This unit will house the CDs, DVDs and a home recording studio for me – the 4-octave keyboard and monitors arrived midweek. As pretty much all the music we listen to in the house is played via iTunes and Spotify these days, we don’t need all the CDs around, so we’re pairing them down to just those we might play in the car – the rest will go in the loft, though I’m sure at sometime we’ll ditch them. As far as videos go, we went through the ones we watch most regularly, eg Bowfinger, and ordered them on DVD from Amazon. The rest, but for a few which are unavailable, like Pee Wee Herman’s Big Adventure, are going into the loft. And we’ll pair down the DVDs to just those we need ready access to.
We’re going to order a new flatscreen tv to go over the fireplace, which might or might not get ripped out, depending on whether we can find a plasterer to patch it up if I pull it out. We’re going to get a small desk for the lad to sit at when he’s a little older, and a box for his toys. Et voila, a family room, carpeted and with interesting pictures on the wall. The TV in the front room will go, which means there will be room for the high-backed armchair in there, making it a real sitting room.
We spent a cathartic Sunday chucking out and shredding old bank statements, O’Reilly documents, catalogues etc, 12 bags of rubbish/recycling all told. That felt good. A lot of the box files with stuff we probably won’t need for a long time, like stuff relating to previous house sales etc, can go in the loft, which is dry and out of the way. We still have to figure out where the iMac is going to go, though the temptation is to buy an iPad when the new one is announced.
This week was half term, and Allyson joined Fi, Mike and myself in work-free, carefree revellry. Monday we went to Hastings for the day, which was just lovely. We ate outside at the same fish and chip shop, The Mermaid, where early last year I was hit by a fish-head thrown by a gull as we were eating. No such incident happened this time, fortunately.
Thursday, we took the train to Peckham Rye to see Lyndon Hayes and Jo Smith. Lyndon did The Scaremongers covers and is doing a drawing of the boy for his Mum’s Christmas present. We had a lovely lunch in Peckham Rye Park and then walked back via Dulwich and Tulse Hill. It was the first gorgeous day of the year, in fact since the boy was born in November, so we got him out of the pram and into his Baby Bjorn. For the first time, we had him facing out toward the world, (rather than in toward my chest) and I think he liked it. He’s such an alert kid with a strong neck, and it seems cruel to keep him pegged in if the weather allows.
Friday, Fi took him off to Balham to see one of his pals, so I got the house to myself for a few hours. I got a *lot* done. In the garden, I planted Jasmine to go around the summerhouse, crocuses and tulips, and I weeded. I need to plant the meadow, which will be all I intended to do out there this summer, I think I’m going to be too busy.
Back inside, I built a small website at smithylad.com, (which at present looks shamefully like Tom Taylor’s site, as I’m leaching his css – sorry, Tom, but yours is exactly how I want mine to look. I *will* change it, but I’m not sure how) and arranged for clattermonger.com to point at this blog. I answered a lot of email, and ordered a new mobile phone, did my washing, which had been piling up. I contacted two venues for Ignite Music, as we are going to have way too many people for the Horse and Groom.
I worry that my 2 month break from work will result in nothing, that I won’t have created anything new, won’t have built anything new, organised anything, finished off any existing projects etc. This is probably the one time in my life where I’m going to get a lump of time like this, and it’s going to break my heart if I waste it. These weeknotes are my way to tell myself I’m doing alright, that there are things I’m doing which I’ll be pleased with myself for doing. It’ll never be enough for me, obviously, but something is better than nothing, and I’m doing a lot more than something.
Today’s New Favourite Best Song Ever
I’m rapidly becoming a fanboy of Official Secrets Act. So Tomorrow is a great song, but the rest of the album is superb, too. Worth checking out.
Today’s New Favourite Best Song Ever
Leiber and Stoller are my favourite songwriters. This was their first hit. I love Elvis‘ version, and I love the Big Mama Thornton original just as much.
http://www.youtube.com/watch?v=5XUAg1_A7IE
Leiber and Stoller’s joint autobiography, Hound Dog, is well worth a read. I read it in a day, the first and only time I’ve ever managed that.
The Studio, The Mouse and The Soup – Weeknotes 2
The pleasure of waking up Monday morning – indeed the pleasure of going to bed on a Sunday night – without the thought that a new week of work is looming was immense. With nothing to do, we took ourselves off to Hampton Court, the three of us and pal Mike, where we visited the maze (rather than the house), the tea shop, (great cakes!) and took a walk through Bushey Park to Kingston. It was fantastic going into Waterstones in the Bentall Centre as a customer and not as work.
I’ve really missed that kind of mid-week, for the fun of it, lazy day – I used to do tons of it when I was younger, but these days there never seems to be time.
Tuesday my colleague Caitlin came around to declassify the Mac that work is letting me keep. It was cathartic to see a pal from O’Reilly, especially someone I’m keen to keep up with. We had biscuits, we had jaffa cakes, we had sausage and egg. A lovely way to sign off from the old place. I think that’s the last dealings I’ll have with them in an official capacity after 12 years. It’s going to take a long time to sink in, I think.
With regards the laptop, I’m going to make it my music computer. I have a dozen projects in my head that I need a proper set up for. I particularly need a decent-sized keyboard – I’ve been trying to work with a two-octave midi thing, and for what it is it’s perfectly alright, but I need to get both my hands on the keyboard. I also ordered an East-West Virtual Orchestra, which is going to be great fun to play with.
Wednesday I made a bit of soup – my first for a few months, predominantly carrot and potato. Chris Aldridge, the carpenter we’ve used for so much of our home improvements, came around to measure up for bookshelves in the office. I won’t be working from home from now on, so the spare room which for 8 years has been taken up with a desk, printer etc is going to become a family room. My music stuff is still going to be in there, but generally we want it to be a fun place that can get bashed about without worry. Of particular concern are the towering, free-standing bookshelves, which we’re fearful could be pulled over once Arlo starts to move around. To get the room right, we need to pull the 1950s fireplace out, (I like it, Fi doesn’t), carpet throughout, and decide what other furniture we need to have. We need to ditch a sofa or two, but they’re proving tough to let go of.
Thursday I was in the Soup Studios in Shoreditch, where ostensibly I was putting the finishing touches to Love Songs from the Feral Park by The Ephemerals. I haven’t dared listen to the mixes yet. I can’t afford the time nor the money to right anything that might be wrong, so I’m stuck with anything I’ve got. I dread them not being good enough, therefore I haven’t had the guts to line them up and press play. I think this anxiousness contributed to the puking session I had on Thursday night, which also meant Friday was a write-off, the best I could do being to sit on the couch holding Arlo while we watched the first series of House. Saturday we babysat Ariadne for friends Zoe and Alex, which was crazy stressful, even though they were lovely and Ariadne was as good as gold. And Sunday we went to a vintage show at Finsbury Town Hall, which Mike and I walked around with Arlo while Fi and Allyson went in to peruse the goods.
A lovely week, though we found a mouse in the kitchen, in the cooker to be precise. I put a jaffa cake on a mousetrap and went to bed!
That Was The Week That Was
I’m a big fan of the Weeknotes that various people I admire write at the end of the week. I’m not sure if I have the discipline to keep it up, so this is more liable to work as occasional notes.
The big news as far as I’m concerned is I no longer work for O’Reilly. I was laid off on the 3rd Feb. I’m a bit raw about it as yet, as you might imagine, and I’m not going to go into details in a public place like the Internet, so I’m only going to write about the positive side of it. One of the upsides is I don’t have to work the notice period, so in theory I have 3 months of salary in the bank and nothing to do except make sure I have work to pay the mortgage at the end of it. If you’re a pal of mine, tweet me on smithylad and I’ll let you know of my plans, (which for the record, I’m very excited about).
The 4th Ignite London took place on Tuesday 8th, (my wedding anniversary – my wife took the news rather well. Thanks, Fi) and it was glorious. So many great speakers. The Guest Speakers were all superb – thanks Al, Ant, Max and Tom – and all the people who put themselves forward stepped up wonderfully. I won’t name highlights, because that would be unfair on the people who I don’t name, but no one let us down, everyone got a laugh, a gasp, a hearty round of applause or all of those. The cheer of the night probably belonged to Paul Downey, with a slide showing his Bile Card, which read ‘In the event of my death, it is my wish that my spleen is harvested and thrown forcefully at the editor of the Daily Mail’. Something like that. Paul was at school with Steve Whitfield, who produced The Scaremonger’s album Born in a Barn. Small world.
Equally as exciting is Ignite Music, which I’m putting together with Rob Dix from Partisan PR. It’s going to take place at the Horse and Groom on Great Portland Street in London in the evening of the 19th of April. Matt Sheret of Last.fm has agreed to be a Guest Speaker. The first Ignite Music is bound to be a proof of concept affair, so who knows how it’s going to go. But it’s going to be very exciting finding out. More details to follow.
I got into the garden for the first time this year, in fact for the first time since the lad was born. My good friend Mike helped me plant a plum tree, a pear tree and a nectarine tree. We also shifted a couple of olive trees around. This year’s meadow seeds arrived from Pictorial Meadows – I went for short stalked plants this time around as last year they wrapped around each other and dragged themselves down. Hopefully shorter plants should rectify that. Photos to follow.
Went to see the Boy Armitage talk at Kings Place. He was on a panel with Martin Carthy, Hugh Lupton, Chris Woods and someone from the Times whose name I missed. The topic of their 40 minute talk was Anon – orphaned works. Interesting-ish. After a half hour break, Chris Woods and Martin Carthy did a set, some of which was stunning. Though I did fall asleep 4 or 5 times during the set. Eh, it was warm and cosy and I’m a mammal – what do you expect. We grabbed a pint with Richard Watson and his pal afterward. Richard has just finished recording an album with Bernard Butler, which was great to hear about. And it turns out Richard uses Partisan PR. Everyone knows everyone else.
Saturday afternoon, Arlo and I walked the streets of Pimlico with Rob Jenkinson from my NCT class and his daughter, Matilda, finishing off at The Grapes in Shepherd’s Market. It was a thoroughly lovely afternoon, as was today, around at Mike and Allyson’s, ostensibly to help them with the blog for their block of flat’s website, but they’d done it, so we ate biscuits instead.
These notes have taken about 2 hours, which suggests either a) I’m crap at them or b) they take this long for everyone. I won’t keep it up, I’m telling you!
Today’s New Favourite Best Song Ever
Althea and Donna – lovely:
Clothes on the Line
Today’s New Favourite Best Song Ever
My sister was a bit Partridge Family fan, so I heard a lot of them by accident. They were always on the radio in the early seventies. I’m sure at some juncture I decided I should hate them, but what’s to hate about this?:
A beautiful song, played by members of the Wrecking Crew, including the legendary drummer Hal Blaine, written by Tony Romeo, who wrote the theme to Rain Man, among other things.
Today’s New Favourite Best Song Ever
Found myself singing this the other day:
Today’s New Favourite Best Song Ever
This is a lovely song. I first heard it on the Mark and Lard daytime show back in the early 90s. In my recollection, I was driving south past Trowell services when it came on, and I loved it straight off. I had a good look around YouTube, (well, what passes for a thorough and exhaustive search these days, about 23 seconds) for a version with the piano and full band, but all I came up with was a few solo acoustic efforts, which are glorious, anyway, so I thought I’d go with this:
Side Project
For the last couple of years, since we finished the Scaremongers album, Born in a Barn, I’ve been working on a side project/solo project. Last night we went into Soup Studio to adjust the few final mixes. I’m normally nervous of listening to new mixes – I can put it off for days, worried its not going to be as good as I want it to be, as I *know* it can be. And I feel a little bit like that today.
But there are other forces at work. My wife is 38 and 1/2 weeks pregnant, and when the little boy comes along I know I won’t have time to spend on making music for a while. So I need to draw the line under the project, get it out there and leave it be.
Jon Landau said an interesting thing to Springsteen when the latter was having trouble letting go of Born To Run. I hunted it out this morning from the book Born to Run by Dave Marsh:
I’m sure if Springsteen hears Born to Run, he’d love to change a million things. But that’s not the point. These things are never finished, but you have to walk away from them at some point. Part of the creative process is letting go, knowing a near-perfect work in the wilds is worth infinitely more than a work-in-progress hidden away. And that’s the same if you’re working in obscurity out of a second bedroom in Streatham or a CBS-funded state-of-the-art studio in New York. If the record is worth something, people will be able to spot it, and if it isn’t, well, you’re just throwing good time and money after bad.
So today, I’m not too worried about the mixes, or not as much as I would have thought. My concerns regarding this piece of music are now where to get it mastered, what band name it should be released under, what name should we give the album, what the cover should be, what formats do you release music on these days, how can I promote it with a finite quantity of time and money, would the distributors who flog Born in a Barn stock this one?
I think the band is going to be called The Ephemerals. The album Stumbling Through The Feral Park. But I’ll probably change my mind a million times before the album is released.
Today’s New Favourite Best Songwriter Ever
What links the following:
Boy Named Sue
Sylvia’s Mother
Ballad of Lucy Jordan
http://www.youtube.com/watch?v=8Ws6qeLIKFU
They were all written by the same man, Shel Silverstein. In my book, he’s one of *the* great songwriters. And one of the most under-rated. Worth checking his history on Wikipedia – he was a cartoonist for Playboy, was a successful children’s writer, a playwright, a poet. He also wrote 25 Minutes To Go, which is magnificent and tragic and funny, and a host of other fun, interesting songs which track the tragedy of ordinary lives.
Today’s New Favourite Best Song Ever
Tim Buckley on the Old Grey Whistle Test, doing Fred Neil’s Dolphins. Wonderful.
Last FM
A couple of months ago, I noticed I was lagging behind in the Last.fm listening stakes. All my pals seemed to have topped the 50,000 mark, and I was way down in the low 40,000s. Well, frankly I was humiliated. I needed to do something about it.
Obviously a campaign of serious, practical and determined music listening was in order – after all, you can’t call yourself a Music Geek, as I’ve been known to call myself of late, and not have racked up the stats to prove it. I devised a plan.
First up, a bit of cramming was in order. In iTunes, I listed all my songs by duration, shortest first. The list came up something like this:
Admittedly, as a listening experience it’s not exactly the White Album, but it does throw up some interesting items. The Skywalker stuff came with some video editing software, I seem to recall, though why I chose to keep hold of it I’m not sure. There’s lots of Beatles skits taken from Live at the BBC, which was the first CD I owned. Plenty of Simpsons songs, which I ripped off a CD one of my pals lent me – I never listen to them – I’m a po-faced musical snob, and though I like a good laugh in normal life, somehow I find no place for humour in music. This is a flaw of mine, I know it, but I’m stuck with it – in my heart, music should be taken seriously.
Anyway, these added a few to my Last.Fm tally.
Next up, sticking with durations, I randomly picked a song length and played every song of that length. That was good fun, dipping into songs that one way or another have snuck into my music collection that I’d forgotten about, hadn’t given enough credit to and imported and then ignored. I went through everything between 7 and 8 minutes, which fetched up some consistently good songs:
7 mins+ definitely kicked up more good songs more consistently than say 4m 32′. Trouble is, you don’t get through many of those long songs in an a hour. Best for both song quality and turnover was the late 2 minutes, 2 minutes 58 seconds or somewhere in that region:
I mean, there’s some All-Time Greats in there – Tramp by Otis Redding and Carla Thomas, Catch the Wind by Donovan, Changing Partners by Barbara Jones, You’ve Really Got a Hold On Me by the Miracles, Penelope Tree by Felt, Hey, That’s No Way To Say Goodbye by Leonard Cohen, Virginia Plain by Roxy Music, I Who Have Nothing by Tom Jones, Fake Tales of San Francisco by The Arctic Monkeys – absolute quality, each and every one of them. Even the less well known songs are invariably interesting, and have that added bonus of not hanging around too long – if they’re not up to snuff, they won’t be around for too long to bother you. That visceral 3 minute shot of pop is an absolute treat.
About this time, I also added Audioscrobbler to Spotify, (or rather, at long last I typed my Last.fm name properly, and finally linked the two up) so I could venture forth into the wider world of online music while still upping my Last.Fm stats. I fell in love with John Grant’s ouvre, having seen him at Latitude, and went BIG on him – I must have listened to Queen of Denmark about 20 times since mid-July, and from there I sampled Midlake, which I now rate., having not previously been fussed about them.
So it went on, up through the 40,000s until the week before last I saw I was closing in on 49,900 and realised I was nearly there.
I wanted these last few to count, so I put together a playlist of 200 of my favourite songs, shuffled them so I wouldn’t know what was coming up, and let it play, (all the while being careful not to accidently Scrobble anything via Spotify or my work Mac). This was a thoroughly enjoyable experience. Every song was a classic, (in my eyes, at least) and it became hard to do anything but listen because I didn’t want to tear myself away from the playlist. I generally treat my favourite songs very carefully, and play them only rarely, because the connection to them disappears if they’re overplayed, so really indulging myself and playing all of them all at once was a rare treat, and all the better for it.
So, closing in on the last 10, I sat back and listened. And it didn’t let me down:
That seems like a pretty fantastic 10 songs to me. And to have Just Like Honey by the Jesus and Mary Chain in the 50,000 slot – well, the Girl Copolla knew what she doing when she used it at the end of Lost in Translation. It’s a great song – steeped as it is in the history of pop music, at once sulky, in awe, tuneful and fucked-up. And endlessly romantic, in a sneery punky way.
So what have I learned from this. Cack all, really:
- I’m a tune man, a song man
- I’m often wrong about the quality of a song – invariably I underestimate how good something is
- My tastes are pretty broad, though not as broad as some
- Indulging in nothing but songs you love is good for your soul
- You need to stretch your tastes sometimes
- Abiding by arbitrary rules can be a great way to experiment
- Last.Fm, iTunes and Spotify are wonderful tools to have around
Today’s New Favourite Best Song Ever
Orange Juice are probably my favourite band ever. I’ll not pretend I listen to them constantly, but out of all the bands on pop’s bountiful planet, they are the one that make the most sense to me. They feel right. They are the band I think of when I trot out my favourite slogan, ‘There’s a Thin Line Between Competence and Greatness’. Orange Juice seemed to will themselves into a passable competence, and once there, their most beautiful pop sensibility shaped one of the richest and under-rated back catalogues. They are definitely an acquired taste, so I’m not surprised most people don’t get them, but they were arguably the first band to combine punk and dance, which was a juxtaposition that would eventually lead to rave culture. I’m a big fan of bands who have a genuinely wide range of influences and are capable of blending all their influences into a cogent sound. The Beatles were great exponents of it, and I’d argue that The Flaming Lips are the contemporary band who are best at it. And Orange Juice were superb at it. They were the most musical band of a generation, they fed that musicality through a sarcasm and wit that was first rate, they were eloquent, literary and even a touch meta – ‘that was supposed to sound very profound – it probably sounds trite’.
So here’s I Can’t Help Myself, name-checking the Four Tops back when it wasn’t fashionable to do that, including a disco beat when it was seriously unfashionable to do that, wonderfully bouncy and witty and fun.
Today’s New Favourite Best Song Ever
She’s Not There by The Zombies.
This a wonderful song – the cover version by Santana is excellent, too – in fact, I probably knew that version before the Zombies’, and to hear it reminds me of looking into a French cafe and watching the men play Baby Foot (which I seem to recall is what the French call Fussball) while She’s Not There played on the jukebox. I might have made that memory up, but it seems real to me. I just listened back to the Santana version for the first time in an age, and it really is fantastic – what you lose in tension from the original, you gain in whig-out!
Anyway, I came across The Zombies when I heard Time of the Season playing on a Californian radio station while driving into San Francisco. It’s amazing it was a huge hit in the States after they split up, but it never charted over here. I bought a Best-of from Fopp, and while the rest of their material is miles off being as good as She’s Not There and Time of the Season, it’s still good, and it played as the soundtrack to much decorating – a sure-fire test of quality. And let it be said, The Zombies is one of the all-time great band names.
Colin Blunstone’s voice is lovely. It’s full of secrets low down, and it takes guts to climb the register like that. It says something about the understanding of pop music at the time that in this TV footage they focus almost exclusively on the singers, except during the instrumental break where they switch to the drummer – and that’s a very Ringo Starr-esque style he has – and to a model lounging on a chaise longue. It would have been great to see what Rod Argent is playing on what sounds like a Wurlitzer.
Today’s New Favourite Best Song Ever
Astral Weeks has been on my iPod many times of late. It’s a marvel of music making. It sounds like it is being made up on the spot, played live in the studio with the windows wide and a warm spring breeze blowing the smell of the countryside through every note. I’d argue there aren’t too many of the songs that would stand up outside the album – these aren’t off-the-peg popular songs that could be easily covered by a cabaret singer – but within the ecosystem of those two sides of vinyl, they work perfectly. The musicianship is stunningly good, inventive, at times delirious, but always in the service of the song. There are millions of singers who have tried to mimic Van’s vocal style but no one gets near.
Amid a collection of songs where the groove is laid back, The Way Young Lovers Do absolutely swings. The drums are wonderful – I could listen to a whole track of them on their own. The vibes are wonderful. The bass is sensational, (I thought it was Danny Thompson, but looking it on Wikipedia, it seems I was wrong – it was Richard Davis). And the brass is delicious, acting as stunning punctuation to the vocal. There’s a tension in the verses that comes flooding out in the middle eights. Superb.
Mike And I After a Triumphant Day of Gardening
Today’s New Favourite Best Song Ever
I don’t know *what’s* going on in this video. Kris Kristopherson and Rita Coolidge are clearly sharing a moment. It makes you squeamish to watch. The song itself is a classic, and while there are loads of great versions, this is still cracking.





















